What if Tony Montana had done Alejandro Sosa the favor and had helped Shadow assasinate the activist, his wife and kids, instead of killing Shadow?
Alternate scene
Tony returns and meets Sosa after the assasination
Sosa: Thank you, Tony. Great job, my friend.
Tony looks devastated and angry.
Tony: Fuck you! I am going to hell because of you.
Sosa: Tony, you have done a great thing for my business. We will do great things together.
Tony: I am going to hell!
Tony sits down, with his head in his hands.
Sosa: Tony, can I count on your loyalty? I don't want a reason to question your loyalty, Tony. I need you to work for me.
Tony looks up, very angry.
Tony: I killed a woman and her kids! I only have one rule. No woman and kids!
Sosa: You did what you had to do, Tony. Can I always count on you to do what is neccessary?
Tony looks up, baffled.
Tony: What the fuck are you talking about? I killed a woman and her kids for you. I am going to hell, and I did it anyway. And you doubt me? Fuck you, Sosa. Fuck you!
Tony then hits the table in agony.
Tony: I will be your top guy until I die, and then I will spend the rest of my fucking life getting butt-fucked by Satan, all for you ... and you doubt my loyalty? Fuck you!
Tony then storms off, breaking a few things, looking tragic.
Sosa calls over Shadow: Watch him closely, Shadow. Watch him closely.
Shadow looks angrily over at Tony and starts to aggressively follow him.
Sosa: Wait a fucken moment!
He pulls Shadow over.
Sosa: Take care of him. Make sure nothing happens to him. He is my top guy, and you work for him now. I am worried that he might hurt himself.
Shadow calms down;
Sosa: If he hurts himself in anyway, you are dead, my friend. If he dies, you die. Understand?
Shadow nods obediently
At this scale, it is easier to see that the trees are not under the influence of "artificial" gravity. It is real.
🌎🌐
The gravitational field around each blade of grass and tree is the same as the field around each blade of grass and tree on the surface of Earth.
Notice that if you drive on a road perpendicular to the cylinder axis, you will increase gravity driving one way and decrease it driving the other. If you drive opposite to the spin and at the radial speed, your gravitational field turns Minkowskian, and you are in a "free fall" or inertial coordinate system. That is, you and the car become "weightless."
That means this: The value of a gravity field can go from a surface-of-a-planet value to a free-fall value by a coordinate transformation among systems that are moving at a constant velocity with respect to each other.
At any instant of time, a car moving at the radial speed is in a Minkowski field, and a system at rest on the cylinder is in a planet-surface field. A ...
"Aja" is the title track of Steely Dan's 1977 album, and its meaning has been a subject of interpretation rather than a straightforward explanation from the band themselves, Walter Becker and Donald Fagen, who were known for their cryptic and layered lyrics. The song doesn’t tell a linear story but evokes a mood and imagery that fans and critics have analyzed over the years.
The word "Aja" is often speculated to refer to a person, place, or concept. One popular theory ties it to the name "Aja," which Becker and Fagen reportedly chose after learning of a Korean woman named Aja who married a friend of theirs. This fits Steely Dan’s tendency to draw inspiration from real-life fragments and transform them into something abstract. The lyrics—"Up on the hill / People never stare / They just don’t care / Chinese music under banyan trees"—suggest an exotic, serene escape, possibly a romanticized or imagined refuge from the complexities of modern life.
Musically and lyrically, "Aja" ...
"Deacon Blues" by Steely Dan, released in 1977 on their album Aja, is a richly layered song that invites multiple interpretations, blending the band’s signature irony, cynicism, and romanticism. Written by Donald Fagen and Walter Becker, the lyrics follow a narrator who seems to embrace a life of reckless abandon, yearning for a kind of mythic, self-destructive freedom often associated with jazz musicians or countercultural figures. Let’s break it down:
The title "Deacon Blues" itself is intriguing. It’s been suggested that it references football—the "Deacon" could nod to Wake Forest University’s Demon Deacons, a team whose colors are black and gold, though Fagen and Becker have said it’s more about vibe than a literal connection. "Blues" ties it to the musical genre, evoking a sense of soulful melancholy. In a 2003 interview, Fagen described the song as being about "a broken dream of a broken man living a broken life," but delivered with a sardonic twist typical of Steely Dan’s ...
