The Schrodinger Equation is a Field Interaction Theory. It is the first generalized form of a Physics law that combines an equation of motion with a Quantum Field theory. The potential V in the equation describes the forces acting on a physical system whose changing state is predicted by the equation, where the state is described by the so-called wave function.
This begs the question: Where do we get V? That question should be the gateway towards the next step, which is to replace or augment the Schrodinger equation with a more generalized law, applicable to a specific force; the electromagnetic field, for example.
The main consideration to achieve this step is to acknowledge that V represents a concept from classical field theory. The form of a more correct Quantum Law has to stand on its own. It cannot be propped up by classical Physics. A modern Quantum Electro Dynamical (QED) Field Theory must be the basis for moving forward.
The Schrodinger Equation is a bridge, but it must be replaced by a QED theory that gives a much better insight into what is really happening when an electron meets a QED Field.
At this scale, it is easier to see that the trees are not under the influence of "artificial" gravity. It is real.
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The gravitational field around each blade of grass and tree is the same as the field around each blade of grass and tree on the surface of Earth.
Notice that if you drive on a road perpendicular to the cylinder axis, you will increase gravity driving one way and decrease it driving the other. If you drive opposite to the spin and at the radial speed, your gravitational field turns Minkowskian, and you are in a "free fall" or inertial coordinate system. That is, you and the car become "weightless."
That means this: The value of a gravity field can go from a surface-of-a-planet value to a free-fall value by a coordinate transformation among systems that are moving at a constant velocity with respect to each other.
At any instant of time, a car moving at the radial speed is in a Minkowski field, and a system at rest on the cylinder is in a planet-surface field. A ...
"Aja" is the title track of Steely Dan's 1977 album, and its meaning has been a subject of interpretation rather than a straightforward explanation from the band themselves, Walter Becker and Donald Fagen, who were known for their cryptic and layered lyrics. The song doesn’t tell a linear story but evokes a mood and imagery that fans and critics have analyzed over the years.
The word "Aja" is often speculated to refer to a person, place, or concept. One popular theory ties it to the name "Aja," which Becker and Fagen reportedly chose after learning of a Korean woman named Aja who married a friend of theirs. This fits Steely Dan’s tendency to draw inspiration from real-life fragments and transform them into something abstract. The lyrics—"Up on the hill / People never stare / They just don’t care / Chinese music under banyan trees"—suggest an exotic, serene escape, possibly a romanticized or imagined refuge from the complexities of modern life.
Musically and lyrically, "Aja" ...
"Deacon Blues" by Steely Dan, released in 1977 on their album Aja, is a richly layered song that invites multiple interpretations, blending the band’s signature irony, cynicism, and romanticism. Written by Donald Fagen and Walter Becker, the lyrics follow a narrator who seems to embrace a life of reckless abandon, yearning for a kind of mythic, self-destructive freedom often associated with jazz musicians or countercultural figures. Let’s break it down:
The title "Deacon Blues" itself is intriguing. It’s been suggested that it references football—the "Deacon" could nod to Wake Forest University’s Demon Deacons, a team whose colors are black and gold, though Fagen and Becker have said it’s more about vibe than a literal connection. "Blues" ties it to the musical genre, evoking a sense of soulful melancholy. In a 2003 interview, Fagen described the song as being about "a broken dream of a broken man living a broken life," but delivered with a sardonic twist typical of Steely Dan’s ...
